NOTE

Selected Work & Engineering Notes

During my training at SAE Institute London, I worked on a range of music production projects involving artist scouting, recording, editing, mixing, and mastering. These sessions included full-band recordings using both analog consoles and outboard gear, with deliverables spanning singles, EPs, and album projects.

My responsibilities included:

• Session planning, recording and microphone placement
• Editing (timing correction/quantization, comping, and cleanup)
• Mixing across multiple genres, particularly rock and alternative styles

Following this period, I expanded into live sound engineering, mixing 40+ live performances. This experience significantly strengthened my critical listening, speed, and decision-making under pressure.

The tracks presented here are remastered versions of selected early projects. These remasters were self-initiated (not commissioned) and reflect my current approach to mixing and mastering, informed by both studio and live sound experience.

Additional recordings from these sessions and other projects will be published on this page in the near future. – this is an actively growing body of work.

All work is shared for portfolio purposes and represents my development as an engineer across recording, production, mixing, and mastering.

For detailed breakdowns of workflow, gear, and session processes, please refer to the blog section below.